As a generally sweaty guy myself, I appreciate his candor!īang & Shoot x T8MG x THU KASH LLC x DJ KDJ – R2ATX ROAD 2 AUSTIN VOL. And then he raps my favorite line, “My face is dripping I’m sweating I’m so committed.” A lot of artists might not be vulnerable enough to admit how sweaty they get during sex, but Hefe Wine does.
BLACC ZACC BACK 2 BACK FULL
Hefe Wine raps in a super low voice and sings in a semi-high one, which suggests a full range of masculine appeal. The hook goes “I just wanna make some good love to you / can you feel it / do you feel it / I just wanna be the man on top of you / can you feel it / do you feel it / this feels like heaven.” Gotta say: My guy gets to the point, and the point in this case is being on top during sex. A link to Hefe Wine’s Twitter reveals he’s from Houston/Miami, and the video appears to be set in Miami.
BLACC ZACC BACK 2 BACK CODE
Because I am committed to this project, I downloaded a QR code reader app for my phone, and it sent me to the YouTube page for the song, which has almost 32,000 views. This one didn’t come with a CD, although it was in a CD case, so maybe someone is listening to it at home! It did have a possibly even more useless form of media, though: a QR code. While I got a few weird looks for picking up garbage from the streets, I knew that, as they say, one man’s trash was another man’s classic. To rectify this wrong, I decided to pick up as many CDs as I could find that seemed to be in playable condition rather than stomped to bits and listen to them. The same people who had come to SXSW to discover new music were now walking over it on their way home from watching an invite-only Drake concert. As I strolled down Sixth Street in the late night hours after the end of the festival, I noticed hundreds of CDs, once so hopefully handed out, tossed to the ground to be carelessly and indiscriminately stepped on.
In part, that was because the official festival retains a focus that leans toward indie rock and internet hype while the unofficial version that fills the streets seems to skew about 90 percent toward hip-hop, with a particular emphasis on more street-focused Southern rap.Īrtists who had come to the city with the hope of finally catching their big break were quite literally ending up in the festival’s garbage pile. The divide between the official, badge-holding festival and the thousands of people who just swept into town to be part of the hoopla felt particularly pronounced. Anecdotally, it’s gotten worse: I’ve only gone to Austin the last three years, but this year the main Sixth Street thoroughfare seemed more crowded with street teams for artists I’d never heard of and less of a destination for anyone who might be recognized in public than ever before.
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